![]() It’s fitting, then, that when Lights Out was released on April 5th, Michaelson performed an intimate concert at the gorgeous chapel in Brooklyn’s Green-Wood Cemetery. In contrast, Lights Out is “more about coming to terms with losing people and your mortality.” “A lot of what I wrote about in the past was just straight up love and I have no problem admitting that,” she explained to The Wall Street Journal. As a result, the album is lyrically rather dark, despite its sonically poppier sound. I had this change of heart and I wanted to embrace the idea of making a very collaborative record.”ĭuring the recording of the album, Michaelson’s mother was battling cancer, her dog died, and she herself was diagnosed with Graves’ disease. “When you have a really hard time it changes you in a lot of ways, and when I came out of it, I just wanted to do things differently. “The first half of 2012 was pretty rough in terms of just my own health and my family’s health, and there was just a lot of darkness,” Michaelson recently told Yahoo! Entertainment, explaining what inspired her to switch gears and ditch her solo act. This allowed her to turn it into a passion project that resembled a musical family affair. This time around, she chose to invite various other artists and producers to lend their talents to the record–including Busbee, A Great Big World, Katie Herzig, Mat Kearney, and Trent Dabbs. When it came time to work on Lights Out, Michaelson decided to take a slightly different creative approach than with her previous albums. It became instantly clear that she’s now more inspired by artists like Sia and Lana Del Rey, who have managed to blend their unique styles with contemporary pop to form layered and distinct new sounds, than by musicians like Regina Spektor or the late Elliott Smith, whose influences were very apparent in her earlier work. Upon its release, the song signaled an artistic evolution that found the singer straying away from her indie rock roots to exploring her pop sensibilities in ways she never has before. It’s not just the growing list of accolades that makes “Girls Chase Boys” a defining turning point in Michaelson’s repertoire. ![]() ![]() Not too shabby for someone who was discovered on MySpace and doesn’t have the support of a major record label (Michaelson still records under the Cabin 24 Records banner–a label she started so that she can keep full artistic control and rights to her music). The upbeat track can be found not only on the Billboard Pop Songs top 40 chart, but also in a Target ad, movie trailers, and an upcoming episode of The Voice. With an accompanying viral music video that pays homage to Robert Palmer’s “Simply Irresistible,” “Girls Chase Boys” is Michaelson’s highest-charting single since her breakout “The Way I Am” peaked at #37 in 2007. And her band surprised her by presenting her with a plaque lauding the achievement right before she broke into the song. ![]() “Girls Chase Boys,” the lead single off her new album Lights Out ( iTunes), had just sold a coveted 500,000 copies. It was the singer / songwriter’s largest headlining show to date, and Michaelson was very visibly moved by the turnout when she stepped onto the stage to commemorate the milestone.īut the size of the venue wasn’t the only reason that the flame-haired native Staten Islander was celebrating that night. On Wednesday, the 34-year-old played to a sold-out crowd of approximately 5,500 adoring fans at New York’s iconic Central Park SummerStage. She’s been performing for nearly a decade, but 2014 is shaping up to be Ingrid Michaelson’s biggest year yet.
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